IBDB (Internet Broadway Database) archive is the official database for Broadway theatre information. It was universally acknowledged that he sang like a angel, but apparently he wanted to prove it. Lend Me a Tenor guide sections. Maybe I should wait here. After a huge fight with his fiery, Italian wife Maria, Tito receives a double dose of tranquilizers through a series of mishaps. Lend Me A Tenor will be directed by Wade Willis. It starts spinning early in the show and just never stops. I- I could tell him that you're looking for him. Lend Me a Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985. Make Salome look like The Merry Widow!To ask Ken a question, click here. The play was produced on both the West End(1986) and Broadway(1989). Max succeeds admirably, but Morelli comes to and gets into his other costume ready to perform. The musical version, with book and lyrics by Peter Sham and Music by Brad Carroll opened at the Theatre Royal, Plymouth, on September 24 and ran until October 6, 2010, after which it transferred to London's West End on June 15, 2011 and closed on August 6, 2011, despite mostly good reviews but two months of poor ticket sales. Lend Me A Tenoris set in September 1934. A hotel suite in Cleveland, Ohio in 1934. library of free monologues. It received nine Tony Awardnominations and won for Best Actor (Philip Bosco) and Best Director (Jerry Zaks). I suppose we'd better go. Victor Carr, as the tyrannical Saunders, manages to pace his perpetual hysteria without peaking prematurely. DOWNLOAD PDF . "The comedy is the premise of the situation. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . Aurora University Theater. SAUNDERSWell, I guess that wraps it up. Monologue from Lend Me a Tenor - YouTube Leigh Anne Hamlin performs one of Maggie's monologues from the play "Lend Me a Tenor" by Ken Ludwig. Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. By the time we reach the endwellits not over. Portrayals Overview; Characters; Videos; Monologues; Scenes; . "The ensemble group gets to bring a lot to the play," said Mr. Moore of Columbia. Casting "Lend Me a Tenor." Note: All actors must be first-rate farceurs with excellent verbal skills. character breakdowns, auditions, monologues and more! Sign up today to unlock amazing theatre resources and opportunities. Gain full access to show guides, character breakdowns, auditions, monologues and more! He is nervously waiting for the very late Italian opera superstar, Tito Merelli, who is scheduled to sing Verdi's "Otello" for the company's 10th anniversary celebration that evening. One thundering orgasm of insane violence! Brooke Adams. I've included this monologue below, since it requires putting three speeches together.2. The winner of two Tony Awards and four Drama Desk Awards has been translated into 16 languages and turned into a screenplay for Columbia Pictures. Saunders' timid, bespectacled assistant, Max, who secretely aspires to be an opera singer, tries to comfort Saunders in his unassuring nasal voice. Casting the comedy "Lend Me a Tenor." Production description: "World famous opera singer Tito Mirelli has come to Cleveland to perform. Since no one else knows that Tito is dead, Max will step into the Othello role and pretend to be Tito. Lend Me a Tenor.script.acti. It's unbelieveable but it's written strongly enough for the audience to suspend disbelief.". Come join me, will you? A few brief words, nothing elaborate. Max finds an empty medicine bottle and Maria's "Dear John" letter, which is written in such a way ("By the time you read this, I will be gone.") Five doors, primed for slamming, in a single hotel suite. Together, Max and Saunders find a way to save the Opera Companys big night in grand, farcical fashion. Saunders and Max try to block assorted groupies, including an ** opera-singing bellhop, the ambitious opera singer Diana, opera guild president Julia Leverett and Saunders' daughter, Maggie. "- Phoenix News Times, "A rib tickling comedy. 2001 - 2023, The Broadway League, All Rights Reserved. Together, you have a recipe for comedic disaster. New York, NY, Linda Ray [2], The West End production opened on March 6, 1986 at the Globe Theatre, where it ran for ten months, closing on January 10, 1987. Max navigates the company through one catastrophe after the next -- an angry wife, a presumed death, crazy costumes, secret sex romps, and loads and loads of slamming doors and mistaken identities -- and, ultimately, takes on the role of Otello to great effect. Also, Tito and Max both find themselves being romantically pursued by Maggie Saunders, and by Diana, the Cleveland Opera's sexy and ambitious soprano. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter. New York, NY, Linda Ray Maggie . Eventually, Diana seduces Tito in the bedroom, while Maggie simultaneously seduces Max (who she thinks is Tito) in the living room. Join StageAgent today and unlock amazing theatre resources and opportunities. On a very important night for the Cleveland Grand Opera Company, Tito Mirelli, the world-famous Italian tenor, is set to perform the starring role in Otello. The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986 with the following cast: MAX - Denis Lawson; MAGGIE - Jan Francis; SAUNDERS - John Barron; TITO - Ronald Holgate; MARIA - Anna Nocholas; BELLHOP - Edward Hibbert; DIANA - Gwendolyn Humble; JULIA - Josephine Blake, Directed by David Gilmore; Designed by Terry Parsons; Lighting by Michael Northen. IBDB also offers historical information about theatres and various statistics and fun facts related to Broadway. Maggie, who is her unsure of her feelings for the suave-less Max, whom she has dated for years, tries to get her hands on the hot-blooded Il Stupendo by hiding in his bedroom closet. [11], In 2019 the official licensed performance script was revised by Ken Ludwig, removing all references to Otello and replacing them with Pagliacci.[12][13]. Information: 381-4864. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. scenes from TENOR will be used. A sensation on Broadway and in Londons West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter. Frantic and on the run from the police, Tito is even more confused when other characters in the play show up to congratulate him on his "magnificent performance" as Othello. Ill have to make an announcement of course. Audition Packets are available on the website. [a] It's the biggest event in the Cleveland Opera's history. Research Playwrights, Librettists, Composers and Lyricists. Lend Me a Tenor (Revival, Play, Comedy, Farce, Broadway) opened in New York City Apr 4, 2010 and played through Aug 15, 2010. . It was directed by David Gilmore. IBDB provides a comprehensive database of shows produced on Broadway, including all "title page" information about each production. The cast included Philip Bosco (Saunders), Victor Garber (Max), Ron Holgate, Tovah Feldshuh (Maria), Caroline Lagerfelt (Diana), Jane Connell (Julia), J. Smith-Cameron (Maggie) and Jeff Brooks (Bellhop).[5][6]. As Scene I of the play opens, Henry Saunders, general manager of the Cleveland Grand Opera Company, is anxiously awaiting the arrival of Tito Merelli, a world-famous Italian opera tenor, known as "Il Stupendo" to his many fans. Max is mistaken for Tito, and Tito is mistaken for Max by Saunders. Max's performance as Othello was a huge success, and no one suspected that he was not Tito. Thanks so much for writing and all the best for your future in acting!Regards,KenFrom Ken Ludwig's Lend Me A Tenor, Act I, Scene 2:SAUNDERS has just discovered that world-famous opera star, Tito Merell, whom patrons of Cleveland Grand Opera have paid large sums of money see perform the role of Otello that evening, is either unconscious or . Your blog is such a great reference to have and, of course, provides invaluable insight into someone I've admired for so long.As I was reading your past entries, I saw that someone inquired about your favorite monologues from your works, particularly "Leading Ladies". Join StageAgent today and unlock amazing theatre resources and opportunities. His pulse is so low that Saunders and his assistant Max believe hes dead. "We made a conscious decision to stay away from theater that's thought-provoking and asks serious questions," said Steve Moore, president of CCP. Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall, Tito Merelli at The cast featured Ron Holgate (Tito), Anna Nicholas (Maria), Edward Hibbert (Bellhop), Denis Lawson (Max), Jan Francis (Maggie), John Barron (Saunders), Gwendolyn Humble (Diana), and Josephine Blake (Julia). At the end of the play, things are sorted out. Group rates are available. Gender: Female. New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. She has a great admiration for Tito. Alan Harbaugh is equally entertaining as the sarcastic bellhop. The temperamental Tito is played so well by Mr. Cookson, who, with rich voice and gobs of stage presence, makes it difficult to believe that he is not a professional opera singer. Research Playwrights, Librettists, Composers and Lyricists. Both are from Act II, Scene 3: The first one is at the beginning of the act and begins, "I do much wonder that one man" and the second one is towards the end of Act II and begins, "This can be no trick"From Henry IV, Part 1, I'd suggest Falstaff's speech in Act II, Scene 4, that begins, "If sack and sugar be a fault, God help the wicked. The good-natured Tito encourages the inhibited Max to pursue his operatic ambitions, even offering vocal tips as the two break into a duet, the aria "Do,che nell'alma infondere" from Verdi's "Don Carlo.". CCP decided two years ago to limit its annual lineup to light comedy. Show Dates: Performances: Mar 6-8, 13-15, 20-21 Friday/Saturday Performances 8pm, Sunday Matinee 2pm LEND ME A TENOR is presented by special arrangement with Samuel French General Information Important: Bring a list of ALL conflicts with you. Much later (Scene II), Max is unable to wake Tito from his nap. Skip the announcement, stick a note in the programme The role of Otello will be sung by Albert Rupp. And then if there is anyone still in the audience when he takes his bow, they can stone him to death? Join StageAgent today and unlock amazing theatre resources and opportunities. Search. [7][8] The revival closed its limited run on August 15, 2010. Please prepare a 2 minute comic monologue. When they grabbed him he actually hit a policeman. You can see four different versions of it and enjoy each one.". New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall Every aspect of the internet, we believe . Come join me, will you? But when he becomes incapacitated, it's up to meek and mild. When he learns that Max is an aspiring opera singer, Tito kindly gives Max a singing lesson, teaching him to "loosen up" and sing with more confidence. Maggie's father, GM of The Cleveland Grand Opera Company. . (Throughout the play, the audience can see what's happening in both rooms at the same time.). For the musical adaption, see, "'Opera Buffa' is comedy hit of the season for American Stage Festival. Michelle Madison, as the sexy opera singer Diana who, in a calculated career move tries to bed down Tito, shows deft, comedic timing. Login. "Then there is the singing. On this Wikipedia the language links are at the top of the page across from the article title. Joyce Luy, as the flamboyant Maria, who makes every entrance and exit memorable with her body moves and stunning red gown, brings the house down whenever she opens her mouth. Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. Build a site and generate income from purchases, subscriptions, and courses. During Max's performance, the "lunatic" tried to force his way into the opera house, hit a policeman who tried to stop him, and ran away. Power your marketing strategy with perfectly branded videos to drive better ROI. "The play allows for that. Monologues for Women; Comedic; . They are looking for "a lunatic dressed as Othello, who thinks he's Tito Merelli." AboutPressCopyrightContact. I hope nothing happens. VOCAL SCORE LONDON JUNE 2011. . A center "stage wall" divides the two rooms, with a door leading from one room to the other. Tito and Max sing a duet together ("Dio, che nell'alma infondere" from Verdi's Don Carlos). The Columbia Community Players will present "Lend Me a Tenor" at 8 p.m. today and tomorrow, and Nov. 4 and Nov. 5 at Slayton House in Columbia. "Cafe Theatre" will feature either three one-act plays or two one-act plays and a monologue. A Broadway revival began performances at the Music Box Theatre on March 13, 2010 in preview and officially opened on April 4, 2010. Throw in Diana, an ambitious, female co-star; Maggie, Max's giddy girlfriend; Julia, a flirty head of the opera guild; and a meddling bellhop fighting for Tito's attention. A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. General admission is $8. Tony Shalhoub as Saunders and Brooke Adams as Julia in Lend Me a Tenor. Throw in Diana, an ambitious, female co-star; Maggie, Maxs giddy girlfriend; Julia, a flirty head of the opera guild; and a meddling bellhop fighting for Titos attention. Maria writes Tito a "Dear John" letter, and leaves the hotel. Since each role is clearly defined and quite funny, it offers the opportunity for everyone to shine. At that moment, the handsome, charismatic and heavily accented "Il Stupendo" makes a dramatic entrance with his equally dramatic, hot-tempered wife, Maria. Monologues from Plays. Take a look at our library of free monologues . Add a few lines about how he was wounded in the Battle of Cyprus, then carry him around the stage on a stretcher.Whats that? The two-room set has a sitting room with a sofa and chairs at right and a bedroom at left. Research Playwrights, Librettists, Composers and Lyricists. Lend Me a Tenor is a comedy by Ken Ludwig. I mean, I just want to be helpful. Michael Kraklio, director. The Broadway League is the national trade association for the Broadway industry. We don't currently have any monologues from Lend Me a Tenor . Take a look at our . Audition Monologue #1 (Female) It's no good you going on. Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. and Act I, Scene 2: "Oh that this too too solid flesh would melt"And from Macbeth, I'd look at Act II Scene 1: "Is this a dagger which I see before me? To achieve the bold 1930s art deco set of black, white and red and coordinating costumes that add to the production's sleek and elegant effect, costume designer Lindy Davis combed thrift shops and theater companies for authentic period clothing. The first review, in the NH Derry News, called it "one of the most brilliant and inspired new comedies this year. However, we have dozens of other monologues that you can read. Each year, League members bring Broadway to more than 30 million people in New York and more than 200 cities across the U.S. and Canada. The play takes place in 1934, in a hotel suite in Cleveland, Ohio. Lend Me a Tenor characters breakdowns including full descriptions with standard casting requirements and expert analysis. Gender: Female. Wearing Tito's costume and makeup, Max will star in the opera performance. The angst-free farce "Lend Me A Tenor" was written by Washington attorney Ken Ludwig and produced in 1989 by Andrew Lloyd Webber. Maggie: (20s to 30s) Max's Girlfriend - pretty, quirky; a young woman who doesn't want to . A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. from Max manages to calm Tito down, and takes the singer into the bedroom, where Tito lies down on the bed for a rest. Saunders is furious. Here are a few of my favorite speeches from those plays:From Hamlet: Act II Sc 2: "Oh what a rouge and peasant slave am I!" Join StageAgent today and unlock amazing theatre resources and opportunities. The title is a pun on "Lend me a tenner" (i.e., a ten-dollar bill). Click the start the download. New York, NY, Linda Ray However, we have dozens of other monologues that you can read. It was directed by Larry Carpenter. Leigh Anne Hamlin performs one of. The company, which shies away from musicals, had to scramble to find a music director to arrange the two arias. Saunders' harried assistant, Max, is also in the hotel suite. Oh oh oh absolutely. As the curtain falls on Act One, Saunders and Max leave for the performance, just as Tito wakes up in the bedroom. The audience will never know that it is not Tito Merelli, and they can announce Tito's death tomorrow morning. I'd be happy to suggest a few monologues for men from my plays as well as some of my favorite monologues from Shakespeare.From my plays, there are three monologues that might be of interest:1. It will be a disaster for the Cleveland opera, and for Saunders himself. The eight-member cast had to learn lines quickly to free their hands and bodies for the physical comedy and synchronized timing that is typified by the hilarious dual love scene. Also there is Maggie Saunders, Henry's daughter and Max's sometime girlfriend. Lend Me A Tenor is set in September 1934. Maggie. And from Shakespeare in Hollywood, I would suggest the short monologue by the character Max Reinhardt in Act I, Scene I, page 17 of the Samuel French edition.As for monologues from other sources, I couldn't tell from your email if you were looking for specifically comic pieces, so I've included a range of my favorite monologues from Shakespeare's plays:From Much Ado About Nothing, there are two great monologues by Benedick. The pacing is so fast and the lines so similar, that it's difficult to get the right words out at the right time.". This is ""Lend Me a Tenor" monologue (Maggie)" by Jillian Vitko on Vimeo, the home for high quality videos and the people who love them. "[1] The English director David Gilmore read it and asked to direct; Andrew Lloyd Webber was the producer. The play's split set and split-second timing offered several challenges for Ms. Romaine. Singing is not required for any role, however, if Tito and Max can sing, we may switch to live performance singing as opposed to recordings. It was a major challenge to find two very good actors who could sing, even though it's only for a short time.". Audition Packets are available on the website. [9] The musical opened in London's West End in June 2011, directed by Ian Talbot and choreographed by Randy Skinner. Oh my god. The opera performance will have to be cancelled, and the audience will demand their money back. Gain full access to show guides, character breakdowns, auditions, monologues and more! It starts spinning early in the show and just never stops. Our 700-plus members include theatre owners and operators, producers, presenters, and general managers in North American cities, as well as suppliers of goods and services to the commercial theatre industry. Seeking 2 Actor Team for Spring As the second act opens, Saunders and Max return to the hotel suite. Gain full access to show guides, character breakdowns, auditions, monologues and more! The ultimate operatic experience! Saunders has charged Max with seeing to Merelli's needs, and with getting Merelli to the opera house in time for the performance. College/University, Community Theatre, Professional Theatre, Regional Theatre, Small Cast, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. Jane Summerhays and J. Smith-Cameron Photo: Martha Swope, Philip Bosco as Saunders - Jane Connell as Julia - Tovah Feldshuh as Maria Photo: Martha Swope, Lend Me A Tenor at the Theater in der Josefstadt in Vienna, Austria starring Otto Schenk, 2 Tony Awards - for Best Direction of a Play and Best Actor in a Play (Philip Bosco), 5 Tony Award Nominations including Best Play, 3 Outer Critics Circle Awards - for Best Set, Best Costume and Best Lighting Design, 4 Drama Desk Awards - for Outstanding Actor in a play (Philip Bosco), Best Costume Design, Best Director and Outstanding Featured Actress in a play (Tovah Feldshuh), Oliver Award for Comedy of the Year (nominee), A remarkable piece of theatre a masterpiece Author Ken Ludwig has verve, a sound grasp of plot mechanics and a rare ability to couple high art with low comedy.- The London Times, One of two great farces by a living writer.- The New York Times"Ken Ludwig's 1989 Tony-winning comedy is one of only two classic farces by a living playwright, the other being Michael Frayn's frenetic "Noises Off"- Daily News, The most inventive, original farce in a long time - Punch, A furiously paced comedy with more than a touch of the Marx brothers A marvelous combination of wonderful farcical moments and funny lines.- Time Out, Hilariously over the top.- The Manchester Guardian, Fills the theatre with the sound of laughter.- The (London) Sunday Express, Free flowing honest-to-goodness unforced farce.- New York Magazine, Its hilarious The funniest show on Broadway.- WNEW, "A rollercoaster of fun for everybody in the buildinga solid, constantly accelerating snowball of a comedy! 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